If you held a poll to find the most beloved of Scottish indie bands, Teenage Fanclub might well win: affiliates of perennial Glasgow scenesters the Pastels, something about the warmth of their sound – west coast harmonies, chiming guitars, iridescent songwriting, all honed to perfection on 1996’s Grand Prix – seemed to find a place deep within people’s hearts.
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Nonetheless, there was a point in the early noughties where the music press was packed with bands – such as Franz Ferdinand, Bloc Party, the Futureheads and the Rapture – who clearly bore their influence. Watch Jesus And John Wayne (Live) full video song from Jesus And John Wayne Movie. On the slender roster of the legendary Postcard label, Josef K were the dark, literary, angular Edinburgh counterpoint to Orange Juice: they alternately sounded brooding and frenzied, released a string of fantastic singles – of which the insistent Radio Drill Time might be the pick – and never fully realised their potential. In the late 90s, the great Chemikal Underground label suggested a Scottish indie renaissance at odds with then-current alt-rock trends, involving the smart, folky Delgados, Arab Strap’s scuzzy spoken word and Mogwai, whose distinctive, intense, witty, constantly evolving brand of post-rock proved the most lasting and impactful of all. They could write pop songs – the brilliant 1981 single Candyskin even featured a string arrangement – but the real legacy of Edinburgh’s Fire Engines was in their nervy, hyper-kinetic funk rhythms and abrasive guitar clang, a sound streamlined and taken to the top of the charts 20 years later by Franz Ferdinand. But both of them were there to help the weak.
A curious song by the Bill Gaither Vocal Band explores how this Jesus/John Wayne dualism played out in evangelical experience: Momma’s love was tender, Daddy’s love was strong. In the speech, Trump said that he could 'stand in the middle. The unspoken mantra of post-war evangelicalism was simple: Jesus can save your soul but John Wayne will save your ass. The book begins by addressing a speech that Trump gave at Dordt University in Sioux Center, Iowa, on January 23, 2016. Du Mezs mother was a Christian school PE teacher. A band out of time, Life Without Buildings split just before the noughties post-punk revival, during which they might have slotted in, although they weren’t so much inspired by the sound of the early 80s as its exploratory spirit: the oblique sprechgesang vocals of singer Sue Tompkins rested on quietly simmering guitar riffs to spellbinding effect. The title of the book comes from the Gaither Vocal Band song of the same name.